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online marathon: the economy of borders ^^ we lost our soft soul, by crossing the borders

June 29th

By Olia Sosnovskaya:

I am writing this in Vienna, Austria. Due to the total neglection of the coronavirus pandemic by the Belarusian president A. Lukashenko, who refused to imply quarantine and orders to lower the official statistics (if you follow it – just don’t trust it) and the number of tests, the situation there is really frightening. People and businesses crowd-fund for medical supplies. Every time I hear and read about someone of my friends’ relatives, colleagues and friends being sick or dead. At this moment, Belarus is rated with the highest coronavirus risk by the Austrian government. It is unknown when we would be able to move between the Schengen borders more or less ‘freely’ again, even if having visas.

And then, more news is coming when the president election campaign started: endless lines of people who are queuing in the epidemic to give their signature for the alternative future candidates; then those candidates to the candidates (even prior their registration) being detained; the current president daily humiliating and assaulting the people in the media; bloggers and hundreds of people protesting the detainment getting arrested.

And the most recent news was that almost half of Minsk districts’ water was polluted — not safe to drink, to cook, to wash. The authorities denied the danger for the whole day! The problem is still not solved fully, and there is still no reliable information about what happened.

You may think the borders are far, and that they protect you. Very soon the first Belarusian nuclear power plant will get launched, regardless the numerous safety warnings, lack of proper examinations and existing failures. The recent water crisis in Minsk reminds us, that in case of emergency we will not get neither information, nor help. The radiation does not care about the borders.

PS. Below is the donation campaign for everyone who has been those been recently arrested, fined or persecuted by the state in Belarus.

https://www.facebook.com/donate/1123543824684874/269990080768227/

June 27th

A Trip to Dagestan, by Victoria Lomasko:

https://drawingthetimes.com/2016/victoria-lomasko-trip-dagestan/?fbclid=IwAR289csjJEZSyODlnRaslFk3j_IucXiBl6Ejqqv9eVE_pza8QJfktudBVvg

By Nagrane Narva:

https://hopeisnohome.tumblr.com/

 

June 26th

by Nicola Schüschke:
At the moment I am trying to understand the phenomenon of „Heimatroman“, a sub-genre of the German “Groschenroman”(dime-novel). Even if this kind of pulp literature seems absurdly outdated, it is being read widely throughout this country. People read them in order to get distracted, as the end is always a happy one, there’s nothing much you can miss. They are perfect to make yourself think that there are no problems in this world other than choosing between the rich and the beautiful. The stories follow strict rules: no politics, no sex, no surprise! They are full of reactionary images, submissive sexism and romanticized nationalism. Especially the cover images show what it’s all about: on most of the novels there’s a young couple or a girl smiling in the middle of nature. Even the colour-schemes often include the colours of the German flag. Absurdly, the Heimatroman is being published in higher numbers that any other books in Germany. I asked myself what kind of story the main author of German fiction, Angela Merkel, would write about. I figured out, it must be about „Grenzenlose Liebe“ – endless love, love without borders.
Still – even if Horst Seehofer doesn’t seem to come up with another volume of prose but just repeats his same old verses – I don’t lose hope that there are at least some others out here who have other ideas about “Heimat” than a flirt with the hunter on a castle in Bavaria!

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June 25th

Today we continue with our marathon with Batoul Baty Sedawi:
Women are the most vulnerable to injustice in the war-torn countries, but in my country, the injustice will be doubly unfair as they are subjected to the worst kinds of torture and rape in the prisons, and after their release, they are ostracized by their families and society where they are considered to have brought shame to them.
النساء هم الاكثر تعرضا للظلم في البلاد التي تعاني من الحرب، لكن في بلادي سوف يكون الظلم مضاعفا حيث انها تتعرض لابشع انواع العذاب والاغتصاب في المعتقلات، وبعد خروجها تتعرض لنبذ من قبل اهلها ومجمتع حيث تعتبر قد جلبت عار لهم .

video:

 

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by Baty Sedawi

 

June 22nd

Today we continue with Lada Nakonechna‘s work:
This project took place on the different streets of Zurich. People were proposed to create the secure place by delineation their own territory using yellow chalk (this color signs public space places which are privatised). At the end the chalk circle makes people immovable inside.

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June 20th

This day is dedicated to The House of Women for Empowerment & Emancipation, Athens.

https://www.facebook.com/Το-Σπίτι-των-Γυναικών-για-την-Ενδυνάμωση-τη-Χειραφέτηση-1452231711753592.

Here comes the message from Shayan, one of the former detainees of the Petrou Ralli prison, please, take the time to hear the witness of Europe today:

link to Shayan’s message

 

A small fragment from the zine by Shayan, she and others from the community of The House of Women for Empowerment & Emancipation publish and distribute it for those who are still in prison:

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Letter of Denunciation: human rights activists and everyone else, please, don’t let this document pass your attention.

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Our initiative ‘The House of Women for Empowerment & Emancipation’ is part of the anti-authoritarian solidarity grassroots movement. We are a self-organized feminist collective opposed to all states and borders, political parties, public or private institutions and NGOs. We are committed to the struggle for women’s emancipation and the end of gender based and racial violence, homophobia, transphobia, sexism and the trafficking of women and children that is reproduced by the machinery of patriarchy globally. For almost 4 years, we have been meeting with detained women, starting our visits at Εlliniko and then at Petrou Ralli. We listen to detainees’ stories and demands and document the problems they face, attempting to answer their questions and give voice to their denunciations. At the same time, we try to foster and sustain a broader local and international social network of solidarity with other individuals and collectives through organizing events around imprisonment and other gender issues. We work to build and strengthen our relationships and empower one other, even after women are released from the detention center. Together we struggle for our liberation.

FOR THE BREAKDOWN OF BORDERS, THE ABOLITION OF DETENTION CENTERS, PRISONS & CONCENTRATION CAMPS,
AGAINST THE PANDEMIC OF PATRIARCHY,
SOLIDARITY AND SELF ORGANIZATION ARE OUR WEAPONS
Email: spiti.gynaikon@gmail.com
Fb: Το Σπίτι των Γυναικών, για την Ενδυνάμωση & τη Χειραφέτηση

 

Some photos from the process: The House of Women for Empowerment & Emancipation is making their poster for The Economy of Borders action…

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June 19th

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By Sarah Kwasnicki:

Arrival without landing My daily arrivals: home, Schlesische 27, Neue Nachbarschaft// Moabit, friends, garden – where I feel safe, full, grounded, where I feel strong and loved. I arrive because I see my future and I want to stay. People who flee blocked from arrival. Violence at the borders, people held against their will, under inhumane conditions. Once the European border is crossed, the decisions come from above – if you’ll stay, if you’ll be deported, where you’ll to live, what you are permitted to do, what will be denied of you. A container, a fence, no voice, no choice, – on repeat – that’s not arrival. The right to live, the right to vote, the right to work, the right to move, the right to home, the right to friendly neighbors, the right to be together, the right to a garden, the right to learn, the right to be seen, the right to be heard, the right to love, the right to peace, the right to happiness, the right to a bathtub, the right to arrival We are living in privilege that we don’t want to see.

Heute mit Sarah Kwas

Ankommen statt Unterbringen – Tagtäglich komme ich an – zu Hause, in der Schlesischen 27, in der Neuen Nachbarschaft// Moabit, bei Freunden, im Garten, … – kurzum, an Plätzen, wo ich mich wohl und sicher fühle, wo ich geerdet bin, Kraft tanken kann, das Miteinander genieße. Ich bin angekommen, weil ich weiß, dass ich eine Perspektive habe und bleiben will. Tagtäglich wird Menschen auf der Flucht ein Ankommen verwehrt. Sie werden gewaltvoll an Grenzen aufgehalten und es bleibt nichts anderes übrig, als unter unmenschlichen Bedingungen zu verharren. Und wurde die Europäische Außengrenze überquert, wird von oben herab entschieden, – ob du bleiben darfst, ob du abgeschoben wirst, wo du leben musst, was du zu tun hast, was dir verwehrt bleibt. Und wieder, ein Container, ein Zaun, keine Entscheidungsgewalt, keine Stimme, keine Perspektive – das ist kein Ankommen. Ein Recht auf Wohnen, ein Recht auf Wählen, ein Recht auf Arbeit, ein Recht auf Umziehen, ein Recht auf zu Hause, ein Recht auf nette Nachbarn, ein Recht auf Miteinander, ein Recht auf Garten, ein Recht auf Lernen, ein Recht auf Anerkennung, ein Recht auf Liebe, ein Recht auf Frieden, ein Recht auf gute Laune, ein Recht auf Badewanne, ein Recht auf Ankommen. Und wir leben unsere Privilegien, erkennen sie nicht und treten sie mit Füßen.

 

June 16th

We continue our Marathon with Nadira Husain! Nadira is installing this week her exhibition with two other artists Amina Ahmed and Varunika Saraf at Heidelberger Kunstverein which will open on Friday. And she sends us these images:

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Marina Naprushkina

 

 

June 15th

WISH is a non-mixed group of 10-15 women refugees and activists on the island of Lesbos, Greece. We were born in different places, we have different ages, experiences, dreams and fears. But we share the idea that solidarity is our best weapon.

Most of us live in the refugee camp of Moria, others in the camp of Kara Tepe or in Mytilini. We have been working on the island for two years. We create spaces of resistance in this world full of walls and borders, full of prisons, racism, sexism and injustice. Resistance means mutual support, care of the others and respect.

Since the beginning of this year the increase of violence -xenophobia, racism, COVID-19, and systemic neglect of those seeking asylum – threatens the lives of people on the move and those in solidarity. This worsen the already harsh situation in the island’s refugee camps, where there are currently more than 20,000 people without access to any basic right. In this context, it has become more evident than ever that our main strength is our links, which allows us to adapt and continue.

se;f-organised solidarity with women in moria

Poster by WISH

“We are the face of the refugee woman.

We are the young women who live in Moria.

Also the old ones, the single ones and their kids.

We are those who try hard.

We are those who lost themselves, we don’t know who are we.

We are our future, but we lost our hope.

We thought me were humans, now we know we are refugees.

We are those supposed to have rights.

We are strong.

We are together, we hold each other to change our moods.

We are the ones who walk together.

The ones who stand together.”

 

Facebook page: @wishlesb

Email: wishlesbos@gmail.com

Solidarity Box in Sisterhood

 

June 14th

Today we gladly post the text and the poster by Vanessa Gravenor: With the poster and in the past months, I have been asking myself if a state can be possessed *haunted* by security. In this, I do not mean to contend measures taken by states such as Germany, such as face masks, or the prohibition on public gathering, but rather to ask what lurks on the background, on the margins, of these policies. We see the closure of the European borders to asylum seekers, but at the same time, permission is granted for those who have the means and the right passports. Economic migrants from Eastern Europe are granted passage to keep a particular brand of capitalism running in the West at the expense of their health and their lives. Even the binaries have eroded: now, we can only choose between the same: more surveillance, better data governance. The alternative: death. It is a nihilistic necropolitics written without any experience of precarious life.
Can a state be possessed or occupied by security? This statement probably prompts some type of science fiction disaster sequence of robots ruling the world; however, we know this scenario is in fact quite more banal that Hollywood would have us imagine it. It begins slowly: it creeps. It has been creeping for a while now.

 

Vanessa_Gravenor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vanessa Gravenor: Sicherheitsbesessener Staat   June 13th

We would like to introduce Uma Gаdzieva and her book “Grandma”. Heute möchten wir Uma Gаdzieva vorstellen und ihr Buch “Oma”, das sie für ihre Mutter geschrieben hat. Das Plakat für die Ausstellung basierte auf einer Zeichnung zum Buch. 103983061_10213827793728140_7535222008986989609_o

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Yevgenia Belorusets is a photographer and writer and lives in Berlin and in Kyiv. She is the co-founder of “Prostory”, a journal for literature, art and politics, and a member of the interdisciplinary curatorial group “Hudrada”. Her works move at the intersection of art, literature, journalism and social activism, between document and fiction. Her artistic method was established in her long-term projects such as “Gogol Street 32”, which portrayed the residents of a communal apartment building during their daily activities in a slowly decaying living environment, or in the project “Victories of the Defeated”, which included series of documentary photographs, texts and interviews and was dedicated to the coal miner communities, which continued to exist in Eastern Ukraine on the very edge of military conflict. To accomplish this work Yevgenia Belorusets visited between 2014 and 2017 cities near and in the warzon of Donbass Region in Ukraine. In 2018 / 2019 she has published a book of stories called Fortunate Fallings (Shchastlivyie padeniia) about women living in the shadow of the now-frozen, now-thawing conflict in the Donbass region, caused by Russian military intervention after the Kyiv Maidan of 2014. The publishing hous Matthes & Seitz issued it in Germany in 2019.

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Yevgenia Belorusets, 2020

 

June 11th

Today we post a letter and two paintings from Raha Amiri:

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Raha Amiri, Batwoman, 2020

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Raha Amiri, Burnt Nest, 2020

Greeting and regards
With respect to all
I am Raha Amiri 24 years old from Afghanistan i have a girl she is 8 years old we are in Greece, Moria.
I would like to talk about my experiences. My work is about beauty and art with women. I am really exited sharing my paintings and my feelings to “The economy of borders” with all of you. “Burnt Nest” is one of my paintings about all human around the world who lost their home and their family. So I wanted to share my feelings sympathy with these people. My second painting is “Batwoman”, about all women who have forgotten their power and considered themselves weak. I shared my feelings about refugees with paintings because each of them has embraced their sad possessions stories. How beautiful it is to be in solidarity, understand each other, so we all end up in this house whose name is the world so we dont forget to give love and affection to each other. Let’s build a beautiful world for a big family because we are a family in the world.


Thanks to the friends who efforts hard for this beautiful program wish for victory and peaceful


My contact instagram: raha.tattoo1995
Facebook: raha amiri

 

 

online marathon: the economy of borders ^^ we lost our soft soul, by crossing the borders

We would like to thank all participating artists and activists. It is great, what we achieved only in a few weeks. Thanks to everyone for your participation and involvement, for your support yesterday at the opening and assembly. Tomorrow we start our online marathon. Please, stay with us for the next four weeks.

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online marathon: the economy of borders ^^ we lost our soft soul, by crossing the borders

Dear all, it is amazing!

The “Rathaus” is covered with our posters. Something like this is happening for the first time. The final result you can see tomorrow. Come and support us at 5 pm by the opening and Assembly.

 

Marina Naprushkina

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online marathon: the economy of borders ^^ we lost our soft soul, by crossing the borders

The exhibition will be accompanied by a four week long online marathon. The participants will be making daily contributions referring to their work, the socio-political situation and their political demands.
Media partners: Neue Nachbarschaft/MoabitMoabit Mountain College (Berlin)The House of Women for Empowerment & Emancipation (Athens)Prostory (on literature, social criticism and modern art)

 

Avtonomi Akadimia unfolds into the UFO of the Kyiv International 2017

True revolutions arrive on the dove’s feet of media history
Friedrich Kittler

In occasion of the 100th anniversary of the October Revolution, Avtonomi Akadimia payed an extensive visit to The Kyiv International – Kyiv Biennial 2017.

Kyiv_International_Kyiv_Biennial_Joulia_StraussUFO portrait by Joulia Strauss

The Winter Semester was interentangled with the public program and has enfolded at the main venue, the Institute of Scientific, Technical and Economic Information, also known as the “UFO”.

After the documenta 14’s Parliament of Bodies that has moved learning into the center of the art discourse, UFO of the Kyiv International had offered us the next ideal environment to continue the experiment of education as a socio-cybernetic art work. UFO’s conference hall, originally planned as an experience of oneness of sound and image, syneisthesis, (σύν syn, “together”, and αἴσθησις aisthēsis, “sensation”) has not been accomplished during the Soviet times. As a force that creates chronotopologies of oneness of art, philosophy, technology and politics, Avtonomi Akadimia furtherdeveloped the uncompleted construction by modulating the aspired experience from synaisthēsis to what can be called synethosis, the unity of the movements of our First Global Revolution.

Kyiv International – Kyiv Biennial 2017 has organized a meeting with the architect of the UFO, Florian Yuriev, to discuss the renovation project which may turn the unique monument of modernist architecture into the part of the shopping and entertainment center “Ocean Mall”. UFO, according to law, can be only used for the educational purposes. Avtonomi Akadimia contributed to the discussion with the solidarity action of exemplifying its fulfillment.

Program:

November 1, Wednesday, 17:00

Presentation of “Krytyka Polityczna Athens”: Universitas by Katja Ehrhardt (AthenSYN) and The School of Everything by Joulia Strauss (Avtonomi Akadimia) (Greece/Germany).

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Photos: Sasha Kovalenko

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November 1, Wednesday, 19:00

Eirini Vlavianou (Greece)
In Memoriam Zygmunt Bauman

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November 3, Friday, 17:00
“Deep Hanging Out” presentation by Helmut Batista (Brazil)

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November 3, Friday, 19:00

“Acoustic Weapons: From the Walls of Jericho to the GitMo Playlist” performance by Sebastian Bayse Schäfer (Germany)

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November 4, Saturday, 16:00

“Dread Nought! Fear Not – in the Age of Anxiety” presentation by Judith Holzer and Marcel Schobel (Germany)

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Judith Holzer enjoying the view from our UFO observation appartment

November 5, Sunday, 14:00

“Pirate Cinema and the New Forms of Action Against Politics and Art” talk and screenings by Jan Gerber and Sebastian Lütgert (Germany):

14:00 Revolution 1 (French): Chris Marker, Gaspard Glanz, Ute Holl, Peter Ott, et al.

17:00 Revolution 2 (October): Kira Muratova, Peter Cherkasky, Artavazd Peleshian, Ken Jacobs, et al.

20:00 Revolution 3 (Digital): Dzyga Vertov, Alfred Hitchcock, Jean-Luc Godard, Philippe Grandrieux, et al.

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November 10, Friday, 17:00

“Final Fantasy II – 21 Translations of Purpose in Japanese – 喜怒哀楽 Kidoairaku (Joy-Furious-Sadness-Pleasure)” presentation by Hiroshi McDonald Mori (Japan).

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Hiroshi McDonald Mori’s talk took place on the day after the opening of a giant blockbuster show on Japanese culture in the Mystetski Arsenal exhibition hall. But what matters about Japan are the subversive strategies of its queer community shared by Hiroshi McDonald Mori.

 

November 12, Sunday, 17:00

“From Parking Space to Park” film screening and discussion by Clara Hüneke (Germany).

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Does the future of the UFO and other struggles for public space depend on our ability to form a responce from the side of the community, as in the case told by Clara Stella Hüneke’s film?

 

November 12, Sunday, 19:00

“Ethico-aesthetic paradigm against the Fascistization of Society. The Greek Case and the Murder of Pavlos Fyssas” talk by Ioulia Mermigka (Greece).

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Justyna Kravchuk, who translated Judith Butler’s “Frames of War”

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Vlad Holovko, artist, initiator and organizer of Plivka Art Center, Nastya Teor, who took control of our stay in Kyiv, and founding member of Occupy Museums, Noah Fischer.

 

November 14, Tuesday, 19:00

“Snapshots from Future Occupations” talk by Noah Fischer (USA)

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Olexiy Buistov, artist, initiator and organizer of Singulart space, speaking

 

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Joulia Strauss emphasizes the political difference of The Kyiv International from the usual Biennials as a remark closing the program.

 

Special thanks: Elena Dietrich, Eirini Vlavianou, Nastya Teor

Beyond the official program, informal exchange between the participants and the community in Kyiv took place. Nowadays, again, politics is made in the kitchen! We are very grateful for the warm reception to Oksana Briukhovetska, Nataliia Neshevets, Yustyna Kravchuk, Ruslana Koziienko, Anna Kravets, Anna Tsyba, Vlad Holovko, Olexiy Buistov, Nikita Kadan, Valeriia Didenko, Maria Pashkova, Dana Kosmina, and – for his kind invitation – to Vasyl Cherepanyn.

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All photos above by Sasha Kovalenko

 

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Nataliia Neshevets, David Chichkan, Anna Tsyba and Noah Fischer at the exhibition just closed by the curators due to censorship from the side of the Pavlo Tychyna Literary-Memorial Museum which became complicit with the right wing groups.

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Clara Stella Hüneke and Ioulia Mermigka demonstrating the feminist art works by Oxana Briukhovetska (who joined the photo on the right)

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Legendary Fridge Dance by Dana Kosmina at the UFO appartment. Lady with a cup: Marta Madej, Krytyka Polityczna Berlin

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Elena Dietrich, Alexandra Streshna, Clara Stella Hüneke, Ioulia Mermigka, Hiroshi McDonald Mori, Nastya Teor, Anna Kravets at the “creepy bar”

 

 

 

The School of Everything at the documenta14

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During the opening days of documenta 14 in Kassel and during its closing days in Athens, a meeting of initiatives which aimed to transform the European educational system took place. We were building an educational system consisting of politically motivated and artistic initiatives for sharing knowledge, and of proposals by thinkers who see education as decisive for social change. Texts, documentation, manifestos, and sketches of educational models were presented during the School of Everything in Kassel and in Athens. The participants of this gathering embody a novel curriculum, our gift to all educational institutions of the world.

Education as an art form has moved, as the public and educational programs of the d14, from the periphery to the center. Moreover, during the School of Everything at the Parliament of Bodies, the end of documenta was officially proclaimed. Documenta as an institution incapable of liberating itself from the zombifying strictures of modernity, no longer accommodates the process called art.

 

Concept: Joulia Strauss
Curator of the symposion: Sotirios Bahtsetzis
Organized by AthenSYN. In collaboration with Allianz Kulturstiftung.

Partners: ASFA Athens School of Fine Arts (GR); Kunsthochschule Kassel (D); LUCA School of Arts, Leuven, Brussels, Gent (B); HyperWerk Institute for Postindustrial Design; FHNW University of Applied Sciences and Arts, Basel (CH); Avtonomi Akadimia (GR); with the support of the Schwarz Foundation, Eye Square GmbH, and HAECCCC, 0+865
Special thanks to Eirini Vlavianou and Yorgos Maraziotis

ATHENS

Parliament of Bodies, Parko Eleftherias, Athens Municipality Arts Center and Museum of Anti-dictatorial and Democratic Resistance, Athens

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photos by Marco Claussen

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KASSEL

KMMN Kulturbahnhof of Kassel School of Fine Arts

photos by Eirini Vlavianou

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photos by Alexander Wahrlich

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photos by Joulia Strauss

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photos by Ahmad Alkhatieb

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Photos by Léa Busnel

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Avtonomi Akadimia at the Athens Biennale, April 2016

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: Vasyl Cherepanyn

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Meeting Large European Networks by European Alternatives (Daphne Büllesbach) and Krytyka Polityczna (Jakub Dymek and Igor Stokfiszewski)

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Meeting Large European Networks by European Alternatives (Daphne Büllesbach) and Krytyka Polityczna (Jakub Dymek and Igor Stokfiszewski)

Avtonomi Akadimia at the Athens Biennale, April 2016

Daniel Mützel: Border Security In The Robotic Age (Photo: Marievi Mastoraki)

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Joulia Strauss: Introducing participants of Avtonomi Akadimia (Photo: Marievi Mastoraki)

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Discussion after the world premiere of the film documentary by Rafał Żwirek: „Forget Fear – Story of Occupy Biennale” (Photo: Marievi Mastoraki)

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Marta Madej: Introduction of Krytyka Polityczna Center (Photo: Marievi Mastoraki)

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Marta Madej: Introduction of Krytyka Polityczna Center. Screening of „Brave New World / Nowy wspaniały świat“, a documentary by Maria Smarz-Koczanowicz

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Marta Madej: Introduction of Krytyka Polityczna Center. Screening of „Brave New World / Nowy wspaniały świat“, a documentary by Maria Smarz-Koczanowicz

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Raimar Stange: Forget Institutional Critique

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Raimar Stange: Forget Institutional Critique

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Marievi Mastoraki (center), a new and precious collaborator of Avtonomi Akadimia

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Ioulia Mermigka: Incorporeal materialities: Politics of the body, gender, language and rythm

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Ioulia Mermigka: Incorporeal materialities: Politics of the body, gender, language and rythm

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy (Photo: Marievi Mastoraki)

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Joulia Strauss introduces Avtonomi Akadimia to the minister of culture Aristidis Baltas (Syriza): education as a weapon

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Joulia Strauss: Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016. (Photo and collaboration on space: Ermina Apostolaki)

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Joulia Strauss: Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016. (Photo and collaboration on space: Ermina Apostolaki)

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Bank of No with Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016.
(Photo: Ermina Apostolaki)
The starting point of the no-currency of the BANK OF NO is a collective “rebranding initiative” where art meets the banking crisis. At the core lies an international working group with roots in the 2011 political movements, including main organizers of Occupy Museums, Gulf Labor, Free Artists Hungary, and Living Memorial. By “rebranding“ the dead “Laiki“ bank, the working group which included its initiator Noah Fischer, as well as Raúl Hott, Nurtane Karagil, Csaba Nemes, Joulia Strauss and “twenty three”, opened a window onto the global financial situation from the specific political and economic conditions experienced on Cyprus.