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Avtonomi Akadimia at the Athens Biennale, April 2016

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: by Sotirios Bahtsetzis, Vasyl Cherepanyn, Paul B. Preciado, Joulia Strauss (Photo: Marievi Mastoraki)

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Panel On Education: Vasyl Cherepanyn

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Meeting Large European Networks by European Alternatives (Daphne Büllesbach) and Krytyka Polityczna (Jakub Dymek and Igor Stokfiszewski)

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Meeting Large European Networks by European Alternatives (Daphne Büllesbach) and Krytyka Polityczna (Jakub Dymek and Igor Stokfiszewski)

Avtonomi Akadimia at the Athens Biennale, April 2016

Daniel Mützel: Border Security In The Robotic Age (Photo: Marievi Mastoraki)

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Joulia Strauss: Introducing participants of Avtonomi Akadimia (Photo: Marievi Mastoraki)

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Discussion after the world premiere of the film documentary by Rafał Żwirek: „Forget Fear – Story of Occupy Biennale” (Photo: Marievi Mastoraki)

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Sebastian Schäfer: Acoustic weapons: from the walls of Jericho to the GitMo playlist

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Marta Madej: Introduction of Krytyka Polityczna Center (Photo: Marievi Mastoraki)

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Marta Madej: Introduction of Krytyka Polityczna Center. Screening of „Brave New World / Nowy wspaniały świat“, a documentary by Maria Smarz-Koczanowicz

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Marta Madej: Introduction of Krytyka Polityczna Center. Screening of „Brave New World / Nowy wspaniały świat“, a documentary by Maria Smarz-Koczanowicz

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Raimar Stange: Forget Institutional Critique

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Raimar Stange: Forget Institutional Critique

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Raimar Stange: Forget Institutional Critique

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Marievi Mastoraki (center), a new and precious collaborator of Avtonomi Akadimia

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Ioulia Mermigka: Incorporeal materialities: Politics of the body, gender, language and rythm

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Ioulia Mermigka: Incorporeal materialities: Politics of the body, gender, language and rythm

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy

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Hiroshi McDonald Mori: Final Fantasy (Photo: Marievi Mastoraki)

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Joulia Strauss introduces Avtonomi Akadimia to the minister of culture Aristidis Baltas (Syriza): education as a weapon

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Joulia Strauss: Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016. (Photo and collaboration on space: Ermina Apostolaki)

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Joulia Strauss: Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016. (Photo and collaboration on space: Ermina Apostolaki)

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Bank of No with Avtonomi Akadimia at the Athens Biennale, Bagkeion Hotel, Omonoia Square, April 2016.
(Photo: Ermina Apostolaki)
The starting point of the no-currency of the BANK OF NO is a collective “rebranding initiative” where art meets the banking crisis. At the core lies an international working group with roots in the 2011 political movements, including main organizers of Occupy Museums, Gulf Labor, Free Artists Hungary, and Living Memorial. By “rebranding“ the dead “Laiki“ bank, the working group which included its initiator Noah Fischer, as well as Raúl Hott, Nurtane Karagil, Csaba Nemes, Joulia Strauss and “twenty three”, opened a window onto the global financial situation from the specific political and economic conditions experienced on Cyprus.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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